Lavinia Fontana was one of the most notable women in art history. He broke with the stereotypes of the time, demonstrating that a woman had the same artistic and creative abilities as a man.
Daughter of the prestigious painter, Prospero Fontana, her father's role was fundamental in her development. Lavinia was the First Woman to Open Her Own Workshop and Be Recognized as an Art Professional.
The artist was born in Bologna in 1552, at a time when the city was in full cultural effervescence. His father supported his artistic career, which allowed him to surround himself with other artists, acquiring great relevance in Bologna and Italy. There he carried out a large part of his activity, which has many Portraits and religious painting. Currently, 32 works are preserved, of the 135 that have been counted.
First woman recognized as an art professional.
It was the by traitist preferred by ladies, whom she represented in a very natural way, but with opulent clothing and numerous jewels. He also developed an important religious production and worked as official court painter of Pope Clement VIII.
We highlight their Mythological compositions. Lavinia was the first artist to draw them and to delve into the representation of the nude, something hitherto forbidden to women. Very sensual and erotic nudes that show his great artistic ability.
The use of Strong colors were one of his hallmarks.
Of course, all this artistic activity would not have been possible without the invaluable help of her husband. Together they had 11 children and he took charge of her care. It also helped him with the day to day of the workshop. A whole sample of Conciliation, not typical at that time.
La Work “Venus and Mars”, made in 1595, represents one of the artist's greatest moments of artistic splendour. The painting shows a mythological scene where we can see Venus naked on her back and Mars delicately caressing her buttock, after having detached her weapons, with the exception of her helmet. In the background, Cupid appears asleep, wielding his bow.
The painting arrived at the Liria Palace, by the hand of Duke Carlos Michael, which he did with her on his trip to Naples in 1816.